Illustration Art Gallery

The very best from the wide, sometimes overlooked, world of illustration art, including original artwork for book illustrations and covers, comic books and comic strips, graphic novels, magazines, film animation cels, newspaper strips, poster art, album covers, plus superb fine art reproductions and high quality art prints.

Our gallery brings together artists from all over the world and from many backgrounds, including fantasy, horror, romance, science fiction, education, sport, history, nature, technology, humour, glamour, architecture, film & tv, whimsy, even political satire and caricature.

Wednesday, June 6, 2012

Will Nickless

Will Nickless began his career as an artist working for an agency at the age of 18, having left school at 14. He joined the staff of Motor magazine in 1920, producing technical drawings and, later, general figure work. He left to become a freelance artist, illustrating books and occasionally writing them himself. His work has been described as "very detailed . . . his pen and ink work looks like engraving."

William Nickless was born in Brentwood, Essex, on 4 April 1902, the son of William Thomas Nickless and his wife Ada Caroline (née Bayliss), married in London in 1899. He was the second eldest of five children and grew up in north St. Pancras, where his father worked as a builder's clerk.

Although interested in drawing from an early age, he followed his father's wishes and first worked at an engineering factory in Acton; however, he kept up his drawing and eventually found work as an artist at Gameges department store, where he drew illustrations for their mail order catalogues. He then joined Temple Press, working on their magazines The Motor, Aeroplane, Motor Cycling and Commercial Motor. It was whilst working on the staff at Temple that he met Nellie Agnes Carter, two years his junior. They married in 1927 and a son, named Will, was born the following year.

Nickless went freelance in 1940, working for various magazines, including the Radio Times, and advertising agencies. He also set up his own press, printing limited editions of his poetry and a series of anti-war etchings which were reproduced in New Leader in 1939.

During the war years he developed an interest in music and took up the violin, which led him to making several himself. His other hobbies included making model engines and astronomy, for which he used a reflecting telescope he had constructed himself.

After the Second World War, Nickless became a popular illustrator for children's books and annuals (including Eagle and Swift annuals). Between the 1940s and 1970s he illustrated the Worzel Gummidge books of Barbara Euphan Todd and classics by John Buchan (The Thirty-Nine Steps), Thomas Hughes (Tom Brown's Schoolday's) Jonathan Swift (Gulliver's Travels). H. Rider Haggard (Allan Quatermain, King Solomon's Mines, Ayesha, She, Nada the Lily) and George Macdonald (The Princess and the Goblin), as well as contemporary adventure and historical adventure novels for both boys and girls, school stories and fairly tales.

As a writer, Nickless  penned a series of books about anthropomorphised animals, beginning with Owlglass in 1964; these area said to have been inspired by his living at Heathfield House, a Victorian house hidden within the Wealden Forest.

Nickless lived in Rotherfield, Sussex, for many years where he died in early 1977, aged 74.

Examples of Will Nickless's artwork can be found for sale at the Illustration Art Gallery

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