Wednesday, September 8, 2010
Born and raised in Dundee, Andrew found work as a junior in Bill McCail's Mallard Features studio in Glasgow. His first published work was a cartoon in Lilliput magazine, and his first strip was for a local paper. For the latter he dreamed up the storylines and drew layouts for a story of anthropomorphic trains, in the spirit of Thomas the Tank Engine. After his national service, he moved to London and joined the King-Ganteaume studio, working mostly Westerns and historical strips for Pancho Villa, Rocky Mountain King, TV Heroes and other Len Miller titles. When the King-Ganteaume partnership split, Andrew continued to work for Kenneth King, contributing to Lone Star and Space Ace.
In the late 1950s, Andrew was drawing a great deal for Zip and Walt Disney's Mickey Mouse, notably the "Captain Morgan" strip in Zip. In 1960 he assisted Syd Jordan, another McCail studio alumni, on Jordan's Daily Express strip "Jeff Hawke". The strips were written by Willie Patterson, with whom Andrew collaborated on two newspaper strips in Lord Beaverbrook's Glasgow Daily Herald, both factual strips, one a history of the world cup, the other on famous football players.
He returned to strip work drawing "Tomorrow West" in Solo, followed by stints in "Fireball XL5" and "Stingray" in TV Century 21 and "Alias Smith and Jones" for TV Action. He also drew for both
Since the 1970s his output in comics has been limited as he has concentrated on illustration (including work for both World of Wonder and Look and Learn) and book covers; in particular he supplied New English Library with many quickly executed covers in the 1970s. He has also worked in advertising and for an advertising studio where he storyboarded television commercials; his work in the latter field included storyboarding the government's sell-off of PoweGen. In the 1980s he also drew editorial cartoons for a local newspaper for three years.
The examples of Colin's work shown here are from the feature "Stand and Deliver", originally published in Eagle in 1964 and subsequently reprinted in Smash Annual 1976. All three pieces are for sale via the Illustration Art Gallery.