Wednesday, September 28, 2011
By this time, Adlard had been discovered by American publishers, drawing stories for Black Orchid Annual, Marvel Comics Presents and Good Guys. After producing a five-issue run of Mars Attacks! for Topps, Adlard began working on the best-selling X-Files comic strip from the same publisher. The strip was a tremendous success and was still selling an average 130,000 copies per issue when Adlard decided to leave, claiming that the strip was straight-jacketed by the demands of the company and he had little artistic control.
He left to work on Shadowman for Acclaim and, although never short of relatively high-profile work (on, for instance, The Crow, Gen13, Superman and X-Men, it might be said that Adlard was critically discovered only when he began working on Larry Young's Astronauts in Trouble in 1999.
In the 2000s, Adlard was, again, kept busy on a range of titles, including Blair Witch: Dark Testaments and Double Image for Image; The Authority and The Establishment for WildStorm, Before the Fantastic Four, X-Men Unlimited, Peter Parker: Spider-Man, ThunderBolts and Warlock for Marvel and Batman/Scarface: A Psychodrama, Green Arrow, Green Lantern, Harley Quinn and Batman: Gotham Knights for DC.
As well as his work in America, Adlard has retained his connections with the UK, drawing the graphic novel Playing the Game by Doris Lessing in 1995 and episodes of 'Nikolai Dante' for 2000AD in the late 1990s. However, it was the relaunch of Pat Mills' 'Savage' in 2004 that brought Adlard back to the attention of fans of British comics. He went on to draw three series of the character's revival between 2004 and 2007.
Adlard has also played drums with various bands over the years (Wild Thyme, Bogus Monk, Mine Power Cosmic).
Examples of Charlie Adlard's original artwork can be found for sale at the Illustration Art Gallery.