Bambos Georgiou

Bambos Georgiou was born around 1960. Of Greek descent, and speaking only Greek, he has said that it was the discovery of comics at the age of four that helped him learn English, although this form of education was not appreciated by some. One English teacher was thoroughly frustrated that he was always reading comics and his collection - with TV21 being his comic of choice - was thrown out by his mother. This only led to him becoming more determined to create his own comics.

In the mid-1980s he could be found contributing strips ('Ratman') to Paul Duncan's Arkensword fanzine and, before long, he became a prolific contributor - lettering and inking especially - for Marvel UK, Fleetway, Fat Man Press and Panini UK, as well as a cartoonist, usually signing his work with the abbreviated 'Bambos'.

His comic strips have included 'Blimey... It's Slimer' for The Real Ghostbusters and It's Wicked! in the late 1980s, as well as inking Brian Williamson and Dave Elliott on 'The Real Ghostbusters' for the former. His inking was to to be found in a number of Marvel UK's comic book titles in the early 1990s, including Knights of Pendragon (inking Gary Erskine, Phil Gascoine and Martin Griffiths), Death's Head II (inking Liam Sharp) and Motormouth & Killpower (inking Cam Smith). He has worked on various Transformers titles, including Fleetway's 1994 Transformers: Generation 2 (inking Robin Smith) and the 2003 Panini UKTransformers Armada (for the most part inking Andrew Wildman).

Over the years, Bambos has been involved with dozens of other characters, including Spider-Man, Action Man, Rugrats, Bugs Bunny, The Flintstones, Sonic the Hedgehog, Doctor Who, Tom and Jerry, Teenage Mutant Ninja Turtles, Shrek and Wallace and Gromit.

Examples of artwork by Bambos Georgiou can be found for sale here.

Frank Brangwyn

Frank Brangwyn was something of an artistic jack-in-the-box, estimated to have produced some 12,000 artistic works in a working career that spanned 65 years and a wide range of media, from stained glass windows and glassware to ceramics and furniture. He also painted murals on buildings, painted in oils, watercolours and gouache, made etchings and wood engravings and was a lithographer. His work ranged from small woodcuts to a series of murals that were originally intended to be placed in the Royal Gallery at the House of Lords in Westminster but were considered "too colourful and lively" for the location. The 16 large works, painted between 1925 and 1932 and covering some 3,000 square feet, became known as the British Empire Panels and are now housed in the Brangwyn Hall, Swansea.

Frank William Brangwyn was born Guillaume François Brangwyn in Bruges, Belgium, on 12 May 1867. Frank's father, William Curtis Brangwyn, was an ecclesiastical architect who had moved to Bruges to paint murels and frescoes for Belgian churches as well as designing several buildings and reconstructing others (such as the church of Sint-Andries). Brangwyn did not receive any formal artistic training; instead, his father sent him to practice drawing at the South Kensington Museum where he met Harold Rathbone and Arthur Heygate Mackmurdo, who both encouraged his work. Through Mackmurdo, Brangwyn was introduced to William Morris, who employed him as a glazier.

Brangwyn began to develop as a painter and his painting A Bit on the Esk was exhibited at the Royal Academy in 1885. A passion for the sea led him to join the Royal Naval Volunteer Reserve and he developed a good reputation for his seascapes and landscapes. His oil painting Burial at Sea (now in the Art Gallery and Museum, Glasgow) won a medal at the Paris Salon in 1891. Brangwyn travelled extensively and his first one-man show was entitled 'From Scheldt to Danube'.

Commercial illustrations for The Graphic expanded his audience and his reputation amongst the artistic community was high: he decorated the façade of the L'Art Nouveau gallery in Paris in 1895 and was one of the artists, along with Rodin and Whistler, invited to show his work at the first exhibition of the Vienna Secession group. Between 1902 and 1920 he executed a great many murals for buildings in London, Venice, Cleveland, Manitoba, Jefferson City, Leeds, Taormina (Sicily) and elsewhere. He was made an associate of the Royal Acaademy in 1904 and a member in 1919.

During the First World War, Brangwyn was an official war artist, designing many propaganda posters. After the war he was commissioned to produce a series of murals for the House of Lords, paid for by Lord Iveagh. The initial designs, depicting battle scenes, were thought too grim and Brangwyn started afresh, using vibrant colours to depict the achievements of Britain's colonies during the conflict. These were rejected by the Royal Fine Arts Commission and Brangwyn was understandably devastated.

After executing another large commission for the Rockefeller Center in New York, Brangwyn became more reclusive and pessimistic, a situation that had begun years earlier and contributed to by the death in 1924 of his wife, Lucy (née Ray, a nurse whom he had married in 1896). Brangwyn began to dispose of many of his possessions; over 400 pieces were gifted to Bruges in 1936 in order to establish a permanent museum in his native city; a substantial collection was also donated to the William Morris Museum, Walthamstow. A museum of Brangwyn and of de Belleroche was established at Orange, France, in 1947.

Brangwyn was knighted in 1941 and a major retrospective of his work was held at the Royal Academy in 1952 - the first living Academician to be so honoured. He died on 11 June 1956 at his home in Ditchling, Sussex, aged 89.

Examples of Brangwyn's work can be found for sale here.

Jim Baikie

Jim Baikie, born in the Orkney Islands, in 1940, served as a Corporal with the RAF in 1956-63 before joining a printing company. Baikie joined Morgan-Grampian studio as an artist in 1964 and was an illustrator for the National Savings Committee in 1965-66.

He began his career as a comic strip artist drawing for Fleetway Publications' girls' comics in the mid-1960s, producing romance and biographical strips (e.g. The Small Faces, The Herd) for Valentine. Over the next decade he drew strips for Lady Penelope, Look and Learn, TV 21 & Joe 90, June, Tammy, Sandie and House of Horror, his work including a brief run adapting Star Trek, drawing Doctor Who and Dan Dare for annuals and, in between, drawing 'Gymnast Jinty', 'The Reluctant Nurse' and 'No Time for Pat' amongst many other stories for girls. Baikie was one of the leading artists for Jinty in the late 1970s, his strips ranging from the bizarre 'Spell of the Spinning Wheel' (sports meets horror!) and the ecological SF of 'The Forbidden Garden'.

Baikie then made a name for himself in the pages of Look-In, drawing adaptations of Charlie's Angels, CHiPS, The Fall Guy and Terrahawks. At the same time he came to prominence in 2000AD with the Alan Moore-penned 'Skizz' and, in Warrior, the Steve Moore-penned 'Twilight World', which led to work for DC Comics in New York.

He has since drawn Batman, New Teen Titans, The Spectre and other major characters. Other notable strips by Baikie include 'New Statesmen' for Crisis in the UK, Star Wars: Empire's End for Dark Horse Comics and, more recently, 'The First American' in Alan Moore's Tomorrow Stories anthology.

Baikie has won both the 1983 S.S.I. Award as Best British Adventure Artist and the 2000 Eisner Award for his contributions to Tomorrow Stories.

Examples of Jim Baikies artwork for sale can be found here.

Gerritt Vandersyde

The oddly named Gerritt Vandersyde was a British artist of remarkable talent whose work appeared in advertising and on prints that were widely distributed through Boots and Woolworths. One of his prints has gained a small measure of fame as it was briefly featured in the background of Stanley Kubrik's A Clockwork Orange. The picture, a portrait entitled 'Nina', was a commercial success, although Vandersyde is said to have had little business sense and sold the copyrights on many of his most commercially popular paintings for only a few pounds.

Alfred Gerritt Vandersyde was born in Camberwell, London, on 9 January 1898, the son of Gerrit Willem Vandersyde, who (along with his younger sister) had been bought to England in the 1860s. Gerrit Willem had married Caroline Bell in 1888 and had seven children (six of them boys), Alfred being the fifth child.

Alfred was raised in Enfield and volunteered for the army at the outbreak of the First World War. He lied about his age in order to join the Army Service Corps. He was drafted to the Medical Corps, driving carriages for medics and caring for the horses, and served in Mesopotamia.

In 1918 he married Grace Collings in Hackney and had two children, Basil (b.1921) and Derek (b.1923). He was married a second time in 1942 to Dorothy Ellen Wood in Wandsworth and had two daughters, Wendy (b.1943) and Gillian (b.1947). The family lived at 4 Hepworth Road, Streatham, S.W.16, which is where Alfred died following a sudden heart attack on 10 November 1970.

Gerritt Vandersyde, as he signed his work, was tall (over 6' 4"). His advertising work included popular images for Ovaltine whilst his illustrations appeared in the London Illustrated News. In the 1960s he illustrated stories for books and for the magazine Once Upon a Time, drawing covers and illustrations on a range of subjects from young children to flamingos.

Examples of his artwork for sale can be found here.

Illustrated Books
My Farmyard Picture Book by Arthur Groom. London, Dean & Son, 1963.
Tiny's First A.B.C. and Counting Book. London, Dean & Son, 1964.
Dean's On the Farm Picture Books by Eunice Close. London, Dean & Son, 1965.
Little Poppet's Animal A.B.C. by Eunice Close. London, Dean & Son, 1965.
My A.B.C. and Counting Book by Eunice Close. London, Dean & Son, 1965.
Little Poppet Book of Road Safety by Kathleen Holroyd. London, Dean & Son, 1966.
Zoo Animals Picture Book by Aileen E. Passmore. London, Dean & Son, 1966.
A Picturebook of Prayers. London, Dean & Son, 1968.
Wonderful Stories Jesus Told by Elizabeth Ashley. London, Dean & Son, 1968.

Gerry Dolan

With Doctor Who back on our TV screens for the next few weeks, it seems apt to take a look at the work of a Doctor Who artist.

Gerry Dolan worked only briefly for Dr Who Magazine, providing illustrations for the short story 'The Infinity Season' (#151, August 1989), written by Dan Abnett, and the strip 'Stairway to Heaven' (#156, January 1990) scripted by John Freeman from a story by Paul Cornell and inked by Rex Ward.

Both featured Sylvester McCoy as the Doctor and were noted for Dolan's detailed rendition of the character. The strip's appearance in Doctor Who Magazine coincided with the final episode of the Sylvester McCoy era of the TV show (December 1989) and a gap of seven years before the TV movie and sixteen before the series was revived.

Dolan also contributed to The Worm, an exercise in record breaking that took place 1991 at London's Trocadero. From an outline by Alan Moore, 125 creators gathered to draw and letter a 250-foot long comic strip, recognised as the longest comic strip in the world.

Since those brief appearances, Dolan seems to have disappeared from the world of comics.

Examples of Gerry Dolan's artwork can be found for sale here.

Peter Doherty

Peter Doherty notes on his intriguingly named Not a Proper Person blog that he is not to be confused with the famous singer bloke. "I'm the much less well known comic book illustrator." Within the comic book industry, however, he is well known—as a regular artist for 2000AD's 'Judge Dredd' and chronicler of the early life of Death in Judge Dredd Megazine, or as an artist who has tackled Grendel, Superman, Batman and Catwoman, or as a colourist for Geof Darrow's surreal Shaolin Cowboy.

At a time when Britain's comics were beginning a love affair with fully painted art in the wake of Simon Bisley's 'Slaine: The Horned God', Doherty preferred treating colour as an enhancement to his line art. "The few bits I actually painted were a bit of a disaster," he would later say. "Mostly I coloured my line drawings—I'd ink on watercolour paper with waterproof ink then use transparent media like coloured inks, watercolours and thinned acrylics so the line showed through, and finally finish off with solid colour over the top."

Doherty was taking an applied physics degree at university when he decided that his career should take a different direction. He had taken life classes at art school and held down a Saturday job at Odyssey 7, a comic shop in Leeds, which brought him into contact with Duncan Fegrado, then working on 'The New Statesman' for Crisis with writer John Smith. Smith's friend Chris Standley was also trying to get into comics and he and Doherty collaborated on a five-page story "about an unemployed bloke, something we knew a lot about back then."

After meeting Steve MacManus at a Glasgow comics' convention, the story was sold to Crisis ('Felicity', Crisis 47, 1990), with Doherty also providing that issue's cover. He was immediately offered 'Young Death', the origin story of the popular character from the 'Judge Dredd' strip, written (under the pen-name Brian Skuter) by Dredd co-creator John Wagner for the debut issues of a new 2000AD spin-off, the Judge Dredd Megazine. Doherty's first professional assignment couldn't have had a higher profile.

It's dark humour proved a hit with readers and Doherty soon became a regular on the Dredd strip in 2000AD, drawing episodes of the epic 'Judgement Day' storyline and a memorable one-shot, 'Bury My Knee at Wounded Heart', often cited as being one of the best Dredd stories ever. He also drew 'Mechanismo Returns' for the Judge Dredd Megazine (1993) and a one-off tale of 'Armitage' (1994).

Doherty soon found himself working for the US market, drawing the 6-issue Grendel Tales: The Devil May Care (1995-96) and 'Carson of Venus' (Dark Horse Presents, 1998) for Dark Horse and pencilling a 3-part series for Vertigo's The Dreaming written by Bryan Talbot ('Weird Romance', 1997). Further work on The Dreaming, Superman 80-Page Giant, Batman and Superman: World's Finest and Catwoman followed from DC Comics over the next few years.

In 2001 Doherty (then a relative newcomer to computers and computer colouring) found himself working full-time for a computer games company. Over the years he has also worked as an illustrator, storyboard artist and designer but has always returned to comics when the opportunity allows.

The 2005 2000AD strip 'Breathing Space' (set in Luna 1, a moonbase in the Dredd universe) was begun by Doherty, but a lengthy illness meant the strip had to be reassigned after two issues; Doherty coloured the remaining seven episodes (pencilled and inked by Laurence Campbell & Lee Townsend).

Doherty has subsequently worked mostly as a colourist—on the 3-issue mini-series Seaguy (2004) and the 7-issue Geof Darrow series Shaolin Cowboy, which he also lettered and designed. The latter was nominated for five Eisner Awards in 2005.

Over the past five years, Doherty has appeared regularly in the Judge Dredd Megazine, drawing episodes of 'Devlin Waugh' (2007) and the lead Dredd strip as well as colouring 'Bato Loco' (2009). His recent work has included colouring the Dredd episode 'The Convert' in 2000AD (2010) and a DCU Legacies back-up, 'Revelation!', drawn by Frank Quitely (2011).

Examples of Peter Doherty's artwork can be found for sale here.

Serge Drigin

Serge Drigin, sometimes spelled Sergie, Sergey or Serge R. Drigin, was a Russian artist, born on 8 October 1894, who, without formal training, became a successful illustrator in the UK in the 1920s. Formerly a sailor, he illustrated at least one book in his native Russia, Skazka o rybakie i rybkie by E. Venskii, in 1919 before beginning a prolific output for British magazines such as The Detective Magazine, Modern Boy and Chums. He produced many startling covers for various titles published by George Newnes in the 1930s, including Scoops, Air Stories, War Stories, Fantasy and others. In around 1941, he was working for War Artists & Illustrators, based in central London, who supplied material to War Illustrated and Sphere amongst others.

In around 1934-35, he briefly turned to comics and drew varioius episodes for Film Picture Stories and the serial 'The Flying Fish' in Sparkler. He returned after the war, when paper shortages meant that illustrators were finding work thin on the ground. He produced numerous one-off strips in 1947-48, mostly for Scion Ltd. In 1948, Drigin began drawing strips for Manchester-based J. B. Allen, producing a number of series for Allen's Comet, Sun and Merry-Go-Round comics until 1949.

In the 1950s, he was still very active, contributing features and artwork to various annuals, including Swift and Eagle, but seems to have grown inactive around the mid-1950s.

Drigin was married three times, firstly to Ruth Evelene Baker at Totnes, Devon, in 1923, with whom he had a daughter Shirley N., born 1927 (who later became a veterinary assistant in South Africa). The Drigins separated soon after and Ruth Drigin remarried in 1929.

Serge Drigin was subsequently married at Lambeth in 1931 to Eva Walker (1905-1993) and, at Fulham in 1954, to Joan Octavia A. Nicholle (1916-1992).

Drigin, who was naturalised in 1932, died in Lambeth, his death registered in 2Q 1977 under the name Sergie Drigin.

Examples of Serge Drigin's artwork can be found for sale here.